When were female captains banned from Starfleet?
In the TOS episode Turnabout Intruder, a woman who wants to be a Starfleet captain states that
"Your world of starship captains doesn't admit women. It isn't fair."
Kirk agrees with her that it seems unfair.
Clearly about a decade earlier there were female starship captains such as Philippa Georgiou. What was this rule and when was it in effect?
star-trek
add a comment |
In the TOS episode Turnabout Intruder, a woman who wants to be a Starfleet captain states that
"Your world of starship captains doesn't admit women. It isn't fair."
Kirk agrees with her that it seems unfair.
Clearly about a decade earlier there were female starship captains such as Philippa Georgiou. What was this rule and when was it in effect?
star-trek
1
Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday
add a comment |
In the TOS episode Turnabout Intruder, a woman who wants to be a Starfleet captain states that
"Your world of starship captains doesn't admit women. It isn't fair."
Kirk agrees with her that it seems unfair.
Clearly about a decade earlier there were female starship captains such as Philippa Georgiou. What was this rule and when was it in effect?
star-trek
In the TOS episode Turnabout Intruder, a woman who wants to be a Starfleet captain states that
"Your world of starship captains doesn't admit women. It isn't fair."
Kirk agrees with her that it seems unfair.
Clearly about a decade earlier there were female starship captains such as Philippa Georgiou. What was this rule and when was it in effect?
star-trek
star-trek
edited Mar 21 at 17:23
user
asked Mar 21 at 11:44
useruser
1,5331118
1,5331118
1
Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday
add a comment |
1
Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday
1
1
Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday
Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday
add a comment |
4 Answers
4
active
oldest
votes
There are two interpretations of that scene. The first, and the one generally accepted these days, is that she was off her rocker, and made a statement that stated there was discrimination against her because of what group she belonged to (ie, women), thus explaining her own failings.
Unfortunately, that wasn't the original meaning. The original intent of that scene was that she was speaking the absolute truth: Starfleet didn't allow women in command.
This was confirmed by Nimoy and Shatner in a conversation with the authors of Shatner's 1979 biography Where No Man...
"What is easier for me to deal with on that particular script is the
knowledge that the writer was making a script in which his goal was to
prove, quote, 'That women, although they claim equality, cannot really
do things as well as, under certain circumstances, as a man -- like
the command function, for example. And it was a rather chauvinistic,
clumsy handling of an interesting question. What he set out to prove
was that this lady, given command of the ship, would blow it. That’s
really what the script was about. Just that simple. You see."
"Yeah," Bill agrees. “The problems were solved without really --"
Leonard cuts in, nodding. "That’s, what I was dealing with when we
were shooting that show -- the knowledge that that was the concept.
And I rebelled against the concept. I was uncomfortable doing the
whole show because I didn’t believe in the concept."
Roddenberry later admitted the line was sexist and said he regretted it. However, it was very much in keeping for him. Roddenberry's original story was even worse.
At the time he was going through a nasty divorce, and had a low opinion of women in general--and there are many reports of the time of the crap he said, including statements like "...all women are c***s who can't be trusted" (said several times at story meetings). It's reliably reported that, even putting the divorce aside, he was absurdly sexist even for the time.
You can see the same sort of thing earlier, in the original pilot "The Cage" (later re-used in "The Menagerie") when Christopher Pike makes a statement about being uncomfortable with the idea of a woman on the bridge, which then causes the bit between him and Number One about not considering her as a woman.
Incidentally, the reason Majel Barrett was dropped from the role, contrary to Roddenberry's later statements, had nothing to do with the studio/network being uncomfortable with a woman being second in command, as he claimed. What they had a problem with wasn't an actress playing the part, they had a problem with an actress then having an affair with Roddenberry playing the part, as they were nervous about the potential backstage drama that could result. But anyway...
So, long answer short, yes, the line and backstory was intended to be absolutely as sexist as it appears: Lester is justifiably bitter that as competent as she otherwise was, she could never command a starship because Starfleet didn't want women putting cooties all over their captain's seats.
However, even at the time it was recognized just how offensive that idea was, and it grew even more unacceptable, so by the time the 1980s rolled around and Star Trek IV showed the captain of USS Saratoga was a woman, it was firmly understood the idea was stupid, and everyone proceeded to ignore it. So, gradually, the contorted explanation that no, Janice Lester was just crazy and Good Ol' Gene wasn't a misogynistic ass became the accepted one. Christopher Pike, when he showed up on Discovery, didn't have any sort of issue with women in senior positions (even reporting directly to one), Starfleet had female captains right from the early days, and there was never a ban on women in the Big Chair.
Edit
Here is a clip from the trial scene in ST4. The (unnamed) Starfleet officer has an admiral's insignia, and there may have been others in that scene (I didn't check it all). One wonders if someone working on the movie wasn't making a point.
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
|
show 4 more comments
I'm not sure we can infer an absolute limit on gender roles based on a single line. Certainly it was not Roddenberry's meaning -
“Nowhere in my story was the statement made that this woman wasn’t qualified to command because of her gender. She lacked the qualifications on a personal level, and she also happened to be emotionally unstable. In her mind, sure, she was being discriminated against. And that could have been another theme in the story — how we can limit ourselves because of our own belief that we will be discriminated against. It can become a self-profiling prophecy.”
These Are The Voyages -TOS Season Three by Marc Cushman
Although Kirk agrees with her we could see his comment as placatory rather than actual "agreement" with her position.
KIRK: I never stopped you from going on with your space work.
JANICE: Your world of starship captains doesn't admit women. It isn't fair.
KIRK: No, it isn't. And you punished and tortured me because of it.
Chakotya.net
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
|
show 3 more comments
The James Blish novelisation of the episode presents a slightly different version of events and opens up a different interpretation.
She opened her eyes and stared directly into his. “The year we were together at Starfleet is the only time in my life I was alive.”
“I didn’t stop you from going on with space work.”
“I had to! Where would it lead? Your world of Starship captains doesn’t admit women.”
“You’ve always blamed me for that,” Kirk said.
“You accepted it.”
“I couldn’t have changed it,” he pointed out.
“You believed they were right. I know you did.”
“And you hated me for it. How you hated. Every minute we were together became an agony.”
“It isn’t fair …”
“No, it isn’t. And I was the one you punished and tortured because of it.”
“I loved you,” she said. “We could have roamed among the stars.”
“We would have killed each other.”
She's not bemoaning the fact that Starfleet prevents a woman from becoming a captain, but rather that Kirk's ambition to become a captain prevented them from having a fulfilling relationship because the Kirk buys into the mythos that a captain's full attention has to be given to his ship and that it can't be shared with a woman.
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
add a comment |
I haven't seen Star Trek: Discovery, but I'm under the assumption that, like Star Trek: Enterprise and everything since Star Trek: First Contact, it follows an alternate timeline in which the Borg attempted to interfere with Zefram Cochrane's first warp speed journey. If that is the case, then the events of Star Trek: TOS and Star Trek: Discovery seem to be on two different lines of continuity. Which means that any Earth history after the first warp launch doesn't need to agree between Star Trek: TOS and Star Trek: Discovery.
Although it's immensely unlikely that attitudes on gender would have been altered by the Borg's interference, it is the case that the gender attitudes of the writers have changed significantly in the past 50 years. The no female captains policy seems like an example of Star Trek: TOS's general silliness that has been subsequently retconned. Another example of retconned silliness would be the ability of the Enterprise to fly to the center of the galaxy or clear across the galaxy on a short timeline with no supernatural assistance. They also totally changed the warp factor benchmarks so that you can't exceed warp 10. The ridiculous, skimpy uniforms for female crew members were eliminated. The physical appearance of Klingons was radically altered; and then Star Trek: DS9 and Star Trek: Enterprise contorted themselves to manufacture an explanation for the change. Lots of the socially progressive, technologically progressive writing of the 60's is already old fashioned by today's standards; including the crude UI design and computing ability of the computers and hardware.
In other words, it's not necessary that all events of Star Trek: TOS be canonical and logical; and this is an example of that.
add a comment |
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4 Answers
4
active
oldest
votes
4 Answers
4
active
oldest
votes
active
oldest
votes
active
oldest
votes
There are two interpretations of that scene. The first, and the one generally accepted these days, is that she was off her rocker, and made a statement that stated there was discrimination against her because of what group she belonged to (ie, women), thus explaining her own failings.
Unfortunately, that wasn't the original meaning. The original intent of that scene was that she was speaking the absolute truth: Starfleet didn't allow women in command.
This was confirmed by Nimoy and Shatner in a conversation with the authors of Shatner's 1979 biography Where No Man...
"What is easier for me to deal with on that particular script is the
knowledge that the writer was making a script in which his goal was to
prove, quote, 'That women, although they claim equality, cannot really
do things as well as, under certain circumstances, as a man -- like
the command function, for example. And it was a rather chauvinistic,
clumsy handling of an interesting question. What he set out to prove
was that this lady, given command of the ship, would blow it. That’s
really what the script was about. Just that simple. You see."
"Yeah," Bill agrees. “The problems were solved without really --"
Leonard cuts in, nodding. "That’s, what I was dealing with when we
were shooting that show -- the knowledge that that was the concept.
And I rebelled against the concept. I was uncomfortable doing the
whole show because I didn’t believe in the concept."
Roddenberry later admitted the line was sexist and said he regretted it. However, it was very much in keeping for him. Roddenberry's original story was even worse.
At the time he was going through a nasty divorce, and had a low opinion of women in general--and there are many reports of the time of the crap he said, including statements like "...all women are c***s who can't be trusted" (said several times at story meetings). It's reliably reported that, even putting the divorce aside, he was absurdly sexist even for the time.
You can see the same sort of thing earlier, in the original pilot "The Cage" (later re-used in "The Menagerie") when Christopher Pike makes a statement about being uncomfortable with the idea of a woman on the bridge, which then causes the bit between him and Number One about not considering her as a woman.
Incidentally, the reason Majel Barrett was dropped from the role, contrary to Roddenberry's later statements, had nothing to do with the studio/network being uncomfortable with a woman being second in command, as he claimed. What they had a problem with wasn't an actress playing the part, they had a problem with an actress then having an affair with Roddenberry playing the part, as they were nervous about the potential backstage drama that could result. But anyway...
So, long answer short, yes, the line and backstory was intended to be absolutely as sexist as it appears: Lester is justifiably bitter that as competent as she otherwise was, she could never command a starship because Starfleet didn't want women putting cooties all over their captain's seats.
However, even at the time it was recognized just how offensive that idea was, and it grew even more unacceptable, so by the time the 1980s rolled around and Star Trek IV showed the captain of USS Saratoga was a woman, it was firmly understood the idea was stupid, and everyone proceeded to ignore it. So, gradually, the contorted explanation that no, Janice Lester was just crazy and Good Ol' Gene wasn't a misogynistic ass became the accepted one. Christopher Pike, when he showed up on Discovery, didn't have any sort of issue with women in senior positions (even reporting directly to one), Starfleet had female captains right from the early days, and there was never a ban on women in the Big Chair.
Edit
Here is a clip from the trial scene in ST4. The (unnamed) Starfleet officer has an admiral's insignia, and there may have been others in that scene (I didn't check it all). One wonders if someone working on the movie wasn't making a point.
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
|
show 4 more comments
There are two interpretations of that scene. The first, and the one generally accepted these days, is that she was off her rocker, and made a statement that stated there was discrimination against her because of what group she belonged to (ie, women), thus explaining her own failings.
Unfortunately, that wasn't the original meaning. The original intent of that scene was that she was speaking the absolute truth: Starfleet didn't allow women in command.
This was confirmed by Nimoy and Shatner in a conversation with the authors of Shatner's 1979 biography Where No Man...
"What is easier for me to deal with on that particular script is the
knowledge that the writer was making a script in which his goal was to
prove, quote, 'That women, although they claim equality, cannot really
do things as well as, under certain circumstances, as a man -- like
the command function, for example. And it was a rather chauvinistic,
clumsy handling of an interesting question. What he set out to prove
was that this lady, given command of the ship, would blow it. That’s
really what the script was about. Just that simple. You see."
"Yeah," Bill agrees. “The problems were solved without really --"
Leonard cuts in, nodding. "That’s, what I was dealing with when we
were shooting that show -- the knowledge that that was the concept.
And I rebelled against the concept. I was uncomfortable doing the
whole show because I didn’t believe in the concept."
Roddenberry later admitted the line was sexist and said he regretted it. However, it was very much in keeping for him. Roddenberry's original story was even worse.
At the time he was going through a nasty divorce, and had a low opinion of women in general--and there are many reports of the time of the crap he said, including statements like "...all women are c***s who can't be trusted" (said several times at story meetings). It's reliably reported that, even putting the divorce aside, he was absurdly sexist even for the time.
You can see the same sort of thing earlier, in the original pilot "The Cage" (later re-used in "The Menagerie") when Christopher Pike makes a statement about being uncomfortable with the idea of a woman on the bridge, which then causes the bit between him and Number One about not considering her as a woman.
Incidentally, the reason Majel Barrett was dropped from the role, contrary to Roddenberry's later statements, had nothing to do with the studio/network being uncomfortable with a woman being second in command, as he claimed. What they had a problem with wasn't an actress playing the part, they had a problem with an actress then having an affair with Roddenberry playing the part, as they were nervous about the potential backstage drama that could result. But anyway...
So, long answer short, yes, the line and backstory was intended to be absolutely as sexist as it appears: Lester is justifiably bitter that as competent as she otherwise was, she could never command a starship because Starfleet didn't want women putting cooties all over their captain's seats.
However, even at the time it was recognized just how offensive that idea was, and it grew even more unacceptable, so by the time the 1980s rolled around and Star Trek IV showed the captain of USS Saratoga was a woman, it was firmly understood the idea was stupid, and everyone proceeded to ignore it. So, gradually, the contorted explanation that no, Janice Lester was just crazy and Good Ol' Gene wasn't a misogynistic ass became the accepted one. Christopher Pike, when he showed up on Discovery, didn't have any sort of issue with women in senior positions (even reporting directly to one), Starfleet had female captains right from the early days, and there was never a ban on women in the Big Chair.
Edit
Here is a clip from the trial scene in ST4. The (unnamed) Starfleet officer has an admiral's insignia, and there may have been others in that scene (I didn't check it all). One wonders if someone working on the movie wasn't making a point.
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
|
show 4 more comments
There are two interpretations of that scene. The first, and the one generally accepted these days, is that she was off her rocker, and made a statement that stated there was discrimination against her because of what group she belonged to (ie, women), thus explaining her own failings.
Unfortunately, that wasn't the original meaning. The original intent of that scene was that she was speaking the absolute truth: Starfleet didn't allow women in command.
This was confirmed by Nimoy and Shatner in a conversation with the authors of Shatner's 1979 biography Where No Man...
"What is easier for me to deal with on that particular script is the
knowledge that the writer was making a script in which his goal was to
prove, quote, 'That women, although they claim equality, cannot really
do things as well as, under certain circumstances, as a man -- like
the command function, for example. And it was a rather chauvinistic,
clumsy handling of an interesting question. What he set out to prove
was that this lady, given command of the ship, would blow it. That’s
really what the script was about. Just that simple. You see."
"Yeah," Bill agrees. “The problems were solved without really --"
Leonard cuts in, nodding. "That’s, what I was dealing with when we
were shooting that show -- the knowledge that that was the concept.
And I rebelled against the concept. I was uncomfortable doing the
whole show because I didn’t believe in the concept."
Roddenberry later admitted the line was sexist and said he regretted it. However, it was very much in keeping for him. Roddenberry's original story was even worse.
At the time he was going through a nasty divorce, and had a low opinion of women in general--and there are many reports of the time of the crap he said, including statements like "...all women are c***s who can't be trusted" (said several times at story meetings). It's reliably reported that, even putting the divorce aside, he was absurdly sexist even for the time.
You can see the same sort of thing earlier, in the original pilot "The Cage" (later re-used in "The Menagerie") when Christopher Pike makes a statement about being uncomfortable with the idea of a woman on the bridge, which then causes the bit between him and Number One about not considering her as a woman.
Incidentally, the reason Majel Barrett was dropped from the role, contrary to Roddenberry's later statements, had nothing to do with the studio/network being uncomfortable with a woman being second in command, as he claimed. What they had a problem with wasn't an actress playing the part, they had a problem with an actress then having an affair with Roddenberry playing the part, as they were nervous about the potential backstage drama that could result. But anyway...
So, long answer short, yes, the line and backstory was intended to be absolutely as sexist as it appears: Lester is justifiably bitter that as competent as she otherwise was, she could never command a starship because Starfleet didn't want women putting cooties all over their captain's seats.
However, even at the time it was recognized just how offensive that idea was, and it grew even more unacceptable, so by the time the 1980s rolled around and Star Trek IV showed the captain of USS Saratoga was a woman, it was firmly understood the idea was stupid, and everyone proceeded to ignore it. So, gradually, the contorted explanation that no, Janice Lester was just crazy and Good Ol' Gene wasn't a misogynistic ass became the accepted one. Christopher Pike, when he showed up on Discovery, didn't have any sort of issue with women in senior positions (even reporting directly to one), Starfleet had female captains right from the early days, and there was never a ban on women in the Big Chair.
Edit
Here is a clip from the trial scene in ST4. The (unnamed) Starfleet officer has an admiral's insignia, and there may have been others in that scene (I didn't check it all). One wonders if someone working on the movie wasn't making a point.
There are two interpretations of that scene. The first, and the one generally accepted these days, is that she was off her rocker, and made a statement that stated there was discrimination against her because of what group she belonged to (ie, women), thus explaining her own failings.
Unfortunately, that wasn't the original meaning. The original intent of that scene was that she was speaking the absolute truth: Starfleet didn't allow women in command.
This was confirmed by Nimoy and Shatner in a conversation with the authors of Shatner's 1979 biography Where No Man...
"What is easier for me to deal with on that particular script is the
knowledge that the writer was making a script in which his goal was to
prove, quote, 'That women, although they claim equality, cannot really
do things as well as, under certain circumstances, as a man -- like
the command function, for example. And it was a rather chauvinistic,
clumsy handling of an interesting question. What he set out to prove
was that this lady, given command of the ship, would blow it. That’s
really what the script was about. Just that simple. You see."
"Yeah," Bill agrees. “The problems were solved without really --"
Leonard cuts in, nodding. "That’s, what I was dealing with when we
were shooting that show -- the knowledge that that was the concept.
And I rebelled against the concept. I was uncomfortable doing the
whole show because I didn’t believe in the concept."
Roddenberry later admitted the line was sexist and said he regretted it. However, it was very much in keeping for him. Roddenberry's original story was even worse.
At the time he was going through a nasty divorce, and had a low opinion of women in general--and there are many reports of the time of the crap he said, including statements like "...all women are c***s who can't be trusted" (said several times at story meetings). It's reliably reported that, even putting the divorce aside, he was absurdly sexist even for the time.
You can see the same sort of thing earlier, in the original pilot "The Cage" (later re-used in "The Menagerie") when Christopher Pike makes a statement about being uncomfortable with the idea of a woman on the bridge, which then causes the bit between him and Number One about not considering her as a woman.
Incidentally, the reason Majel Barrett was dropped from the role, contrary to Roddenberry's later statements, had nothing to do with the studio/network being uncomfortable with a woman being second in command, as he claimed. What they had a problem with wasn't an actress playing the part, they had a problem with an actress then having an affair with Roddenberry playing the part, as they were nervous about the potential backstage drama that could result. But anyway...
So, long answer short, yes, the line and backstory was intended to be absolutely as sexist as it appears: Lester is justifiably bitter that as competent as she otherwise was, she could never command a starship because Starfleet didn't want women putting cooties all over their captain's seats.
However, even at the time it was recognized just how offensive that idea was, and it grew even more unacceptable, so by the time the 1980s rolled around and Star Trek IV showed the captain of USS Saratoga was a woman, it was firmly understood the idea was stupid, and everyone proceeded to ignore it. So, gradually, the contorted explanation that no, Janice Lester was just crazy and Good Ol' Gene wasn't a misogynistic ass became the accepted one. Christopher Pike, when he showed up on Discovery, didn't have any sort of issue with women in senior positions (even reporting directly to one), Starfleet had female captains right from the early days, and there was never a ban on women in the Big Chair.
Edit
Here is a clip from the trial scene in ST4. The (unnamed) Starfleet officer has an admiral's insignia, and there may have been others in that scene (I didn't check it all). One wonders if someone working on the movie wasn't making a point.
edited Mar 22 at 15:35
answered Mar 21 at 17:16
Keith MorrisonKeith Morrison
8,64711532
8,64711532
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
|
show 4 more comments
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
5
5
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
In many respects TOS was enlightened for its time. When it comes to women...not so much. This is the most egregious example (the episode is largely unwatchable now), but it's far from the only one.
– John Bode
Mar 21 at 21:45
3
3
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
The aside about the real reason for Number One getting dropped from the show is really interesting. Do you have source for that?
– Jasper
Mar 22 at 10:02
3
3
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
@Jasper, it's from the book Inside Star Trek: The Real Story by Bob Justman and Herb Solow. For those who don't know, Sulu was named after Solow, and he and Justman deserved a lion's share of the credit for actually getting the show on the air and acting as buffers between Roddenberry and the studio.
– Keith Morrison
Mar 22 at 15:49
1
1
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
@Jasper - also These Are The Voyages series of books by Marc Cushman relates the same basic info re: Majel, the affair, and the network
– NKCampbell
Mar 22 at 16:06
2
2
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
I’d say most fans today both treat female captains as canon (reinterpreting Janice Lester as delusional, for which there’s a lot of evidence) and also agree that Gene Roddenberry’s story was sexist. I don’t think people still believe that Roddenberry always practiced the ideals he preached. But it could both be true that Roddenberry meant it at the time, and it’s not canon.
– Davislor
2 days ago
|
show 4 more comments
I'm not sure we can infer an absolute limit on gender roles based on a single line. Certainly it was not Roddenberry's meaning -
“Nowhere in my story was the statement made that this woman wasn’t qualified to command because of her gender. She lacked the qualifications on a personal level, and she also happened to be emotionally unstable. In her mind, sure, she was being discriminated against. And that could have been another theme in the story — how we can limit ourselves because of our own belief that we will be discriminated against. It can become a self-profiling prophecy.”
These Are The Voyages -TOS Season Three by Marc Cushman
Although Kirk agrees with her we could see his comment as placatory rather than actual "agreement" with her position.
KIRK: I never stopped you from going on with your space work.
JANICE: Your world of starship captains doesn't admit women. It isn't fair.
KIRK: No, it isn't. And you punished and tortured me because of it.
Chakotya.net
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
|
show 3 more comments
I'm not sure we can infer an absolute limit on gender roles based on a single line. Certainly it was not Roddenberry's meaning -
“Nowhere in my story was the statement made that this woman wasn’t qualified to command because of her gender. She lacked the qualifications on a personal level, and she also happened to be emotionally unstable. In her mind, sure, she was being discriminated against. And that could have been another theme in the story — how we can limit ourselves because of our own belief that we will be discriminated against. It can become a self-profiling prophecy.”
These Are The Voyages -TOS Season Three by Marc Cushman
Although Kirk agrees with her we could see his comment as placatory rather than actual "agreement" with her position.
KIRK: I never stopped you from going on with your space work.
JANICE: Your world of starship captains doesn't admit women. It isn't fair.
KIRK: No, it isn't. And you punished and tortured me because of it.
Chakotya.net
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
|
show 3 more comments
I'm not sure we can infer an absolute limit on gender roles based on a single line. Certainly it was not Roddenberry's meaning -
“Nowhere in my story was the statement made that this woman wasn’t qualified to command because of her gender. She lacked the qualifications on a personal level, and she also happened to be emotionally unstable. In her mind, sure, she was being discriminated against. And that could have been another theme in the story — how we can limit ourselves because of our own belief that we will be discriminated against. It can become a self-profiling prophecy.”
These Are The Voyages -TOS Season Three by Marc Cushman
Although Kirk agrees with her we could see his comment as placatory rather than actual "agreement" with her position.
KIRK: I never stopped you from going on with your space work.
JANICE: Your world of starship captains doesn't admit women. It isn't fair.
KIRK: No, it isn't. And you punished and tortured me because of it.
Chakotya.net
I'm not sure we can infer an absolute limit on gender roles based on a single line. Certainly it was not Roddenberry's meaning -
“Nowhere in my story was the statement made that this woman wasn’t qualified to command because of her gender. She lacked the qualifications on a personal level, and she also happened to be emotionally unstable. In her mind, sure, she was being discriminated against. And that could have been another theme in the story — how we can limit ourselves because of our own belief that we will be discriminated against. It can become a self-profiling prophecy.”
These Are The Voyages -TOS Season Three by Marc Cushman
Although Kirk agrees with her we could see his comment as placatory rather than actual "agreement" with her position.
KIRK: I never stopped you from going on with your space work.
JANICE: Your world of starship captains doesn't admit women. It isn't fair.
KIRK: No, it isn't. And you punished and tortured me because of it.
Chakotya.net
answered Mar 21 at 13:26
Paulie_DPaulie_D
15.4k25871
15.4k25871
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
|
show 3 more comments
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
This answers the now edited question (or at least I think it does) but more indirectly because it was tailored at the original question. It might be worth you doing a quick edit to bring it inline with the more specific version of the rewritten question.
– TheLethalCarrot
Mar 21 at 14:42
9
9
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
I read that dialogue differently. To me she's saying that the world of starship captains excludes relationships, which a screenwriter in the 60's may have written as "doesn't admit women". This exchange is more like "But my life, my love and my lady / is the sea" and not a discrimination discussion.
– tbrookside
Mar 21 at 15:25
11
11
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
Yeah, it was entirely Roddenberry's intent, and he meant it. It was only later that he backtracked because it eventually got through to him what a complete ass it made it him look like.
– Keith Morrison
Mar 21 at 17:00
1
1
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
I up-voted but I don't really buy it. The sentence and the manner it was said in seems very clear and direct. The word "admit" implies she is talking directly about the entry requirements for the captain rank.
– user
Mar 21 at 17:24
2
2
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
Reading those three lines and watching the scene again, it sounds to me like Kirk is saying that he personally isn't responsible so it's unfair to torture him over it. He is saying that he is sympathetic but not at fault.
– user
Mar 22 at 9:21
|
show 3 more comments
The James Blish novelisation of the episode presents a slightly different version of events and opens up a different interpretation.
She opened her eyes and stared directly into his. “The year we were together at Starfleet is the only time in my life I was alive.”
“I didn’t stop you from going on with space work.”
“I had to! Where would it lead? Your world of Starship captains doesn’t admit women.”
“You’ve always blamed me for that,” Kirk said.
“You accepted it.”
“I couldn’t have changed it,” he pointed out.
“You believed they were right. I know you did.”
“And you hated me for it. How you hated. Every minute we were together became an agony.”
“It isn’t fair …”
“No, it isn’t. And I was the one you punished and tortured because of it.”
“I loved you,” she said. “We could have roamed among the stars.”
“We would have killed each other.”
She's not bemoaning the fact that Starfleet prevents a woman from becoming a captain, but rather that Kirk's ambition to become a captain prevented them from having a fulfilling relationship because the Kirk buys into the mythos that a captain's full attention has to be given to his ship and that it can't be shared with a woman.
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
add a comment |
The James Blish novelisation of the episode presents a slightly different version of events and opens up a different interpretation.
She opened her eyes and stared directly into his. “The year we were together at Starfleet is the only time in my life I was alive.”
“I didn’t stop you from going on with space work.”
“I had to! Where would it lead? Your world of Starship captains doesn’t admit women.”
“You’ve always blamed me for that,” Kirk said.
“You accepted it.”
“I couldn’t have changed it,” he pointed out.
“You believed they were right. I know you did.”
“And you hated me for it. How you hated. Every minute we were together became an agony.”
“It isn’t fair …”
“No, it isn’t. And I was the one you punished and tortured because of it.”
“I loved you,” she said. “We could have roamed among the stars.”
“We would have killed each other.”
She's not bemoaning the fact that Starfleet prevents a woman from becoming a captain, but rather that Kirk's ambition to become a captain prevented them from having a fulfilling relationship because the Kirk buys into the mythos that a captain's full attention has to be given to his ship and that it can't be shared with a woman.
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
add a comment |
The James Blish novelisation of the episode presents a slightly different version of events and opens up a different interpretation.
She opened her eyes and stared directly into his. “The year we were together at Starfleet is the only time in my life I was alive.”
“I didn’t stop you from going on with space work.”
“I had to! Where would it lead? Your world of Starship captains doesn’t admit women.”
“You’ve always blamed me for that,” Kirk said.
“You accepted it.”
“I couldn’t have changed it,” he pointed out.
“You believed they were right. I know you did.”
“And you hated me for it. How you hated. Every minute we were together became an agony.”
“It isn’t fair …”
“No, it isn’t. And I was the one you punished and tortured because of it.”
“I loved you,” she said. “We could have roamed among the stars.”
“We would have killed each other.”
She's not bemoaning the fact that Starfleet prevents a woman from becoming a captain, but rather that Kirk's ambition to become a captain prevented them from having a fulfilling relationship because the Kirk buys into the mythos that a captain's full attention has to be given to his ship and that it can't be shared with a woman.
The James Blish novelisation of the episode presents a slightly different version of events and opens up a different interpretation.
She opened her eyes and stared directly into his. “The year we were together at Starfleet is the only time in my life I was alive.”
“I didn’t stop you from going on with space work.”
“I had to! Where would it lead? Your world of Starship captains doesn’t admit women.”
“You’ve always blamed me for that,” Kirk said.
“You accepted it.”
“I couldn’t have changed it,” he pointed out.
“You believed they were right. I know you did.”
“And you hated me for it. How you hated. Every minute we were together became an agony.”
“It isn’t fair …”
“No, it isn’t. And I was the one you punished and tortured because of it.”
“I loved you,” she said. “We could have roamed among the stars.”
“We would have killed each other.”
She's not bemoaning the fact that Starfleet prevents a woman from becoming a captain, but rather that Kirk's ambition to become a captain prevented them from having a fulfilling relationship because the Kirk buys into the mythos that a captain's full attention has to be given to his ship and that it can't be shared with a woman.
answered 2 days ago
ValorumValorum
411k11129953216
411k11129953216
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
add a comment |
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
Which, of course, is itself an attempt to do away with the blatant misogyny that was originally there. It's also not an argument I've seen raised in fandom as an excuse.
– Keith Morrison
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
@KeithMorrison - This novelisation wasn't written much after the TV show and was based on the original script.
– Valorum
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
When all the people involved are quite clear on what the intent of what was going on was, I'll take them at their word. Besides, the same script has Lester-as-Kirk say "Love? Him? I love the life he led. The power of a starship commander. It's my life now." All in all, it's pretty clear what's going on.
– Keith Morrison
2 days ago
add a comment |
I haven't seen Star Trek: Discovery, but I'm under the assumption that, like Star Trek: Enterprise and everything since Star Trek: First Contact, it follows an alternate timeline in which the Borg attempted to interfere with Zefram Cochrane's first warp speed journey. If that is the case, then the events of Star Trek: TOS and Star Trek: Discovery seem to be on two different lines of continuity. Which means that any Earth history after the first warp launch doesn't need to agree between Star Trek: TOS and Star Trek: Discovery.
Although it's immensely unlikely that attitudes on gender would have been altered by the Borg's interference, it is the case that the gender attitudes of the writers have changed significantly in the past 50 years. The no female captains policy seems like an example of Star Trek: TOS's general silliness that has been subsequently retconned. Another example of retconned silliness would be the ability of the Enterprise to fly to the center of the galaxy or clear across the galaxy on a short timeline with no supernatural assistance. They also totally changed the warp factor benchmarks so that you can't exceed warp 10. The ridiculous, skimpy uniforms for female crew members were eliminated. The physical appearance of Klingons was radically altered; and then Star Trek: DS9 and Star Trek: Enterprise contorted themselves to manufacture an explanation for the change. Lots of the socially progressive, technologically progressive writing of the 60's is already old fashioned by today's standards; including the crude UI design and computing ability of the computers and hardware.
In other words, it's not necessary that all events of Star Trek: TOS be canonical and logical; and this is an example of that.
add a comment |
I haven't seen Star Trek: Discovery, but I'm under the assumption that, like Star Trek: Enterprise and everything since Star Trek: First Contact, it follows an alternate timeline in which the Borg attempted to interfere with Zefram Cochrane's first warp speed journey. If that is the case, then the events of Star Trek: TOS and Star Trek: Discovery seem to be on two different lines of continuity. Which means that any Earth history after the first warp launch doesn't need to agree between Star Trek: TOS and Star Trek: Discovery.
Although it's immensely unlikely that attitudes on gender would have been altered by the Borg's interference, it is the case that the gender attitudes of the writers have changed significantly in the past 50 years. The no female captains policy seems like an example of Star Trek: TOS's general silliness that has been subsequently retconned. Another example of retconned silliness would be the ability of the Enterprise to fly to the center of the galaxy or clear across the galaxy on a short timeline with no supernatural assistance. They also totally changed the warp factor benchmarks so that you can't exceed warp 10. The ridiculous, skimpy uniforms for female crew members were eliminated. The physical appearance of Klingons was radically altered; and then Star Trek: DS9 and Star Trek: Enterprise contorted themselves to manufacture an explanation for the change. Lots of the socially progressive, technologically progressive writing of the 60's is already old fashioned by today's standards; including the crude UI design and computing ability of the computers and hardware.
In other words, it's not necessary that all events of Star Trek: TOS be canonical and logical; and this is an example of that.
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I haven't seen Star Trek: Discovery, but I'm under the assumption that, like Star Trek: Enterprise and everything since Star Trek: First Contact, it follows an alternate timeline in which the Borg attempted to interfere with Zefram Cochrane's first warp speed journey. If that is the case, then the events of Star Trek: TOS and Star Trek: Discovery seem to be on two different lines of continuity. Which means that any Earth history after the first warp launch doesn't need to agree between Star Trek: TOS and Star Trek: Discovery.
Although it's immensely unlikely that attitudes on gender would have been altered by the Borg's interference, it is the case that the gender attitudes of the writers have changed significantly in the past 50 years. The no female captains policy seems like an example of Star Trek: TOS's general silliness that has been subsequently retconned. Another example of retconned silliness would be the ability of the Enterprise to fly to the center of the galaxy or clear across the galaxy on a short timeline with no supernatural assistance. They also totally changed the warp factor benchmarks so that you can't exceed warp 10. The ridiculous, skimpy uniforms for female crew members were eliminated. The physical appearance of Klingons was radically altered; and then Star Trek: DS9 and Star Trek: Enterprise contorted themselves to manufacture an explanation for the change. Lots of the socially progressive, technologically progressive writing of the 60's is already old fashioned by today's standards; including the crude UI design and computing ability of the computers and hardware.
In other words, it's not necessary that all events of Star Trek: TOS be canonical and logical; and this is an example of that.
I haven't seen Star Trek: Discovery, but I'm under the assumption that, like Star Trek: Enterprise and everything since Star Trek: First Contact, it follows an alternate timeline in which the Borg attempted to interfere with Zefram Cochrane's first warp speed journey. If that is the case, then the events of Star Trek: TOS and Star Trek: Discovery seem to be on two different lines of continuity. Which means that any Earth history after the first warp launch doesn't need to agree between Star Trek: TOS and Star Trek: Discovery.
Although it's immensely unlikely that attitudes on gender would have been altered by the Borg's interference, it is the case that the gender attitudes of the writers have changed significantly in the past 50 years. The no female captains policy seems like an example of Star Trek: TOS's general silliness that has been subsequently retconned. Another example of retconned silliness would be the ability of the Enterprise to fly to the center of the galaxy or clear across the galaxy on a short timeline with no supernatural assistance. They also totally changed the warp factor benchmarks so that you can't exceed warp 10. The ridiculous, skimpy uniforms for female crew members were eliminated. The physical appearance of Klingons was radically altered; and then Star Trek: DS9 and Star Trek: Enterprise contorted themselves to manufacture an explanation for the change. Lots of the socially progressive, technologically progressive writing of the 60's is already old fashioned by today's standards; including the crude UI design and computing ability of the computers and hardware.
In other words, it's not necessary that all events of Star Trek: TOS be canonical and logical; and this is an example of that.
answered Mar 21 at 22:26
JohnJohn
48726
48726
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Perhaps because of the 2260 incident, when nineteen crew members were blinded by lens flare.
– Harper
yesterday